Geometry.Net - Basic_T: Theatre Behind The Scenes

Kabuki Theatre
Kabuki theatre. theatre and Stage Work. behind The scenes,Home, main gallery page, photo galleries, art galleries, email,
http://blacklightdrama.tripod.com/
Behind The Scenes
This page contains information about programs or events that provideinsight into the inner workings of the theatre. Prologue, A
http://www.gevatheatre.org/behind_scenes.htm

Extractions: This page contains information about programs or events that provide insight into the inner workings of the theatre. A lively and informative half-hour talk about the play currently on stage is given before every performance of each regular season play. Prologue starts 1 hour before curtain in the Mainstage (30 minutes prior to curtain on Opening Night). Magic in the Making Geva's special event for donors is designed to share our process of creating theatre and includes tours, and both the audio description and sign interpretive programs. Each department of Geva's staff will get the opportunity to speak about their process in creating the current production. The clearer we share our process, the better understood our productions will be. If you have ever wondered how something was done in the theatre, this is the time to find out.
GRISSOM HIGH SCHOOL THEATRE DEPARTMENT
behind the scenes Closing Night. Arsenic Old Lace. behind the scenes - SetConstruction. *Video Clip* A theatre Tech Session At Work *Video Clip*. MAKEUP!
http://www.hsv.k12.al.us/schools/high/ghs/theatre/2002_aaol_behind.htm
Behind The Scenes
Our lighting and sound workshops have also played a strong role acrossthe theatre industry. And while our list of major theatrical
http://www.afct.org.au/html/afct_behind_the_scenes.html

Extractions: After 25 years as a leading player in the performing arts industry in Australia, the staff at the Adelaide Festival Centre have considerable expertise in many areas of production and management. Our set building workshops have an international reputation for their work, our sound and lighting departments hire out both equipment and expertise and our marketing department has a range of services available to hirers and promoters. BASS South Australia , the States major ticketing service, is owned and operated by the Centre. In addition to providing bookings for all the Festival Centre venues, it also services the main entertainment and sport venues in Adelaide. BASS Online is Australias first Internet booking service. AFCT Workshops Set Construction The Adelaide Festival Centres Workshops have long been recognised as the finest theatrical set construction unit in the Asia Pacific region. Our lighting and sound workshops have also played a strong role across the theatre industry. And while our list of major theatrical clients is impressive, we also work for a wide range of clients outside the theatre industry. If youve been to see a major musical in the past 15 years, youve probably seen the pinnacles of our expertise on stage: in such productions as
Behind The Scenes
and creativity of the Adelaide Festival Centre Scenery and Engineering Workshops,internationally recognised as the foremost theatre construction facility in
http://www.afct.org.au/html/afct_workshops.html

Extractions: THE MAKING OF A SUCCESSFUL SHOW Sound of Music, Oklahoma, 42nd Street, Cats, South Pacific, Starlight Express and Joseph and the Amazing Technicolor Dreamcoat. These spectacular shows and more have relied on the expertise and creativity of the Adelaide Festival Centre Scenery and Engineering Workshops, internationally recognised as the foremost theatre construction facility in the Southern Hemisphere. Some of the world's largest musicals and arena spectaculars have been designed and built from two workshops located in Adelaide, South Australia. Our Dry Creek Workshop looks after the scenery building and set electrics, props and special effects while our Gepps Cross Workshop handles all our stage engineering and stage automation design and build projects. From our beginnings as designers and builders of successful national shows, the AFC Workshops continued to expand through co-productions with the worlds leading producers, and increasingly sophisticated stage productions for the Australasian market. Forming partnerships with Cameron Mackintosh and The Really Useful Group out of London, the Adelaide Festival Centre was able to bring shows such as
Silver Chair- Silver Chair: Behind The Scenes
Silver Chair behind the scenes FIT FOR A PRINCE The staff of Radio theatre was delightedto work with Jamie Glover, one of Britain's most acclaimed and
http://www.radiotheatre.org/product/narnia/silverchair/silverchair/A0000054.html

Extractions: In the post-production process, numerous special effects had to be created, such as the demise of the underworld and Eustace and Jill flying on Aslan's breath into Narnia. In one particularly fun and interesting scene, giants are hurling rocks at one another. During the recording process, the production crew made sure the vocal recordings of the actors playing the giants were kept isolated. In order to give the actors size and volume in their voicesin other words, to make them sound like giantspitch shifting and processing needed to occur, and each voice needed its own process. He's an award-winning actor, an acclaimed writer and composer, a gifted Director and the father of several bouncing children. The phenomenon known as Ron Moody has an extraordinary instinct for comedy. Among his many other achievements, he is Life President of Clowns International. Ron brings all of his skills to the role of Puddleglum, one of the best-loved characters in the entire Narnia series.
Behind The Scenes @ Independent Edge Releasing
An Army brat who's family settled in Indianapolis, Indiana at the age of fivewhere he grew up loving movies, music and theatre. Working as a stage tech.
http://www.indi-edge.com/behind/rj.htm

Extractions: Chickboxin' Underground ... Indie Ezine Schooling ranged from Media Broadcasting at Indiana University Purdue University in Indianapolis and Film at Fullerton JC in Fullerton, CA. His degree is from Southern Ohio College in Cincinnati where he received an Assoc. Degree in Audio/Video Production. During his stint at S.O.C. he hooked up with Director Michael Fox. Rj worked on several movie projects that Mike Fox directed or produced which includes EVIL AMBITIONS LIVE NUDE SHAKESPEARE RUDE TV , April's Fool, and just completed working on CHICKBOXIN' UNDERGROUND Rj is experienced with different types of video equipment, lighting, grip, continuity, and pre/post production. When he is not on location he is working at WSTR-64 Television, Suncoast Motion Picture Company, and Independent Edge Releasing. Rj can be reached at moeOH@juno.comEmail FEATURES STARS CATALOG ... BEHIND THE SCENES Contact the Web Master with your feedback or questions.
Behind The Scenes Newsletter
behind the scenes Newsletter. February 2003. TH After Dark Dinner With Friendswill be representing Alabama at the Southeastern theatre Conference!
http://www.theatrehsv.org/febnews.htm
Embassy World Snooker: The Crucible Theatre - Snooker's Wembley
The theatre floor is hollow and that means we have to put a series of 16 jacks underthe two tables which weigh 1 behind the scenes, the Rehearsal Room
http://www.embassysnooker.com/crucible.htm

Extractions: It is difficult to believe a theatre stage that has recreated The Blitz can be transformed into the most famous snooker arena in the world! But that is exactly what happens to the Crucible Theatre in Sheffield when the Embassy World Championship rolls into town every year for its 17 day festival. The Embassy World Championship was first staged at the Crucible in 1977 and is now as famous for snooker as Wembley is for football, Wimbledon for tennis and Lords for cricket. The Crucible Theatre is part of Sheffield Theatres, the largest theatre complex outside London. There is, of course, the Crucible plus the nearby Lyceum and The Studio, the latter being converted into a two table practice area and the TV set for the BBC team and front man. Chris Reece, the Theatre Manager at the Crucible, said: "On the actual stage of the Crucible, we once recreated The Blitz with different areas of the stage collapsing. We have also used a full sized cabin cruiser and for William Tell we turfed the stage with grass and even imported a swimming pool and a moat.
Support Michigan Opera Theatre - Become A Member
Opera theatre, your taxdeductible contribution will play an important part inhelping MOT continue its work both on the main stage and behind the scenes.
http://www.motopera.org/support_mot/member.htm

Extractions: By becoming a member of Michigan Opera Theatre, your tax-deductible contribution will play an important part in helping MOT continue its work both on the main stage and behind the scenes. As a member, you are eligible to participate in various benefits designed to enhance your opera-going experience and get a behind-the-scenes view into the world of opera-in-the-making. Membership levels range from as little as $35 to $999. Depending on the level of donation, Member benefits include:
ASTC - Resource Center, Behind The Scenes
Resource Center. behind the scenes. I received a Bachelor of Fine Artsin theatre arts with an emphasis on children's theatre.
http://www.astc.org/resource/btscenes/lynnp.htm

Extractions: Recipe for Vegetable Enchiladas Lynn Parrucci, education coordinator of theater programs at Carnegie Science Center in Pittsburgh, Penn., and a young visitor create edible clay using peanut butter. Since the opening of the Carnegie Science Center in 1991, I've coordinated programs for the Kitchen Theater and Eating Exhibit. Kitchen Theater programs are half-hour cooking shows focused on the science of food and cooking. The best part of our program is that the audience gets to taste the recipes after each show. Coordination of these programs involves research, writing, development, performance, sometimes video/media production and evaluation oh, I almost forgot and cooking! Like almost everyone in the [science center] industry, I wear many hats. I've presented, helped coordinate programs, and supervised staff and volunteers in several areas, including traveling exhibits. As a member of the Education Division, I've been involved in and developed materials for recruiting, hiring, training, scheduling, and budgeting for all of our program staff. I now facilitate the division's Theater Team, which includes three multimedia program theaters: the Works, the Blue Cross Health Science Theater, and the Kitchen Theater. My Background I developed an interest in doing what I do when I was eight years old. My third grade teacher, Mrs. Skiles, used to assign groups to watch The Electric Company and other educational broadcast programs each night. The next day the groups were supposed to pick a scene they like, rehearse it, and perform it for the class then explain what they had learned... Of course, I watched way too much television, and ended up joining and usually directing every group. Mrs. Skiles sat down with me and said, "You really like this stuff don't you these shows and getting up in front of people? It's good...remember what you like to do."
AT Subscriptions - Behind The Scenes At Ovations!
GENERAL INFO. RESTORATION UPDATE. theatre TOURS. HISTORICAL TIMELINE. PARKING DIRECTIONS. Series. © 2001. Auditorium theatre Council. All Rights Reserved.
http://www.auditoriumtheatre.org/subscriptions/behind_the_scenes.php

Extractions: WriteNavTable('0', '32', '373', 'hide', '1001', 'events'); CURRENT EVENTS TICKET INFO SEATING CHART WriteNavTable('0', '32', '458', 'hide', '1001', 'subscriptions'); DANCE SERIES OVATIONS SERIES WriteNavTable('0', '32', '535', 'hide', '1001', 'about'); GENERAL INFO RESTORATION UPDATE THEATRE TOURS HISTORICAL TIMELINE ... AREA RESTAURANTS/ATTRACTIONS WriteNavTable('0', '32', '592', 'hide', '1001', 'programs'); FIRESIDE CHATS FAMILY SERIES POST PERFORMANCE DISCUSSIONS OTHER PROGRAMS WriteNavTable('0', '32', '668', 'hide', '1001', 'contact'); JOIN OUR MAIL LIST CONTACT INFO Backstage With Cara Spitzner
The Matrix Virtual Theatre
including pictures of upcoming Matrix anime and behindthe-scenes footage from MatrixDVD Masters Chat Read the transcript Matrix Virtual theatre With the
http://www.warnervideo.com/matrixevents/welcome.html
St. Petersburg Hotels - Hotel Astoria: Special Offers
After the tour, a chance to go 'behind the scenes at the An evening at The Mariinskytheatre A chance to enjoy a performance at this world famous theatre
http://www.astoria.spb.ru/offer_hermitage.html

Extractions: Day 1 Day 2 Buffet breakfast at leisure Transfer to the Hermitage 9.30am - The Hotel Astoria's partnership with The Hermitage has enabled us to guarantee that the museum opens early to enhance your peaceful enjoyment of some of the masterpieces. Welcome by a representative of the Administration of the State Hermitage Private tour of the Hermitage conducted by a scientific employee to include The Winter Palace - Residence of Russian Emperors (duration: 2 hours) The Winter Palace nowadays preserves the luxurious interiors of 19-19 centuries and houses the collection of French Art (including Impressionists), British, Oriental art and Russian culture
Variety And Virtuosity: American Ballet Theatre Now - Behind The Scenes
The concept behind the founding of American Ballet theatre was not simply the creationof a truly American company, but one that combined the best ballets from
http://www.pbs.org/wnet/gperf/feature14/html/body_behind.html

Extractions: by John Ardoin The concept behind the founding of American Ballet Theatre was not simply the creation of a truly American company, but one that combined the best ballets from the past with works by gifted new choreographers. In fulfilling this mission, the company hoped to reaffirm the past and contribute to the future of dance. That goal was admirably achieved by the company's founding directors Lucia Chase, Richard Pleasant, and Oliver Smith during even the first year of its existence. Vladimir Malakhov, Parrish Maynard, and Keith Roberts in "Remanso." Among the works seen during ABT's first season in New York were Fokine's "Les Sylphides" and "Le Carnaval," prepared under his direction; "Giselle" and act two of "Swan Lake" in versions by Anton Dolin; Bronislava Nijinska's setting of "La Fille Mal Gardée"; "The Great American Goof," a new work by Eugene Loring to a libretto by William Saroyan; Mikhail Mordkin's "Voices of Spring"; and three works by Antony Tudor, who has been called "the artistic conscience of American Ballet Theatre" "Jardin aux Lilas," "Dark Elegies," and "Judgment of Paris." These works set a style that was old and new, lyrical and brash one that has remained a hallmark of ABT today. Through the years, few companies have been able to boast so wide a range of choreographic works. In a given season with ABT, one can see the great Russian classics such as "Swan Lake" or "Sleeping Beauty," modern classics like "Rodeo" and "Apollo," and new contemporary pieces such as "Airs," "Push Comes to Shove," and "Duets." The company has embraced dance works of Marius Petipa, Léonide Massine, George Balanchine, Jerome Robbins, Agnes de Mille, and Twyla Tharp, to skim only the cream off the top of the choreographers who have played a major role in ABT's history. There have been a parade of great dancers such as Alicia Alonso, Mikhail Baryshnikov (who also served as the company's artistic director from 1980 to 1990), Carla Fracci, Erik Bruhn, Natalia Makarova, Rudolf Nureyev, and Alicia Markova. For all of these legends, at one time or another, ABT was their artistic home.
Variety And Virtuosity: American Ballet Theatre Now - Behind The Scenes
http://www.pbs.org/wnet/gperf/feature14/html/footer_behind.html
Get Involved! Workshops, Talks And Discussions For All
The chance to get to know the behindthe-scenes world of thetheatre, to voice your opinions and influence change. The work
http://www.royalexchange.co.uk/take_part.html

Extractions: A year round programme of workshops, talks, courses, projects and events for schools and university groups, and for individuals. Teaching and learning materials to support selected productions, and Behind The Scenes, a fact-filled introduction to all aspects of the theatre. A partnership scheme, building closer links with local schools and colleges. Membership of regular groups including a young peoples theatre group and monthly playreading sessions for the over 50s.
EZSTAGETIX Theatre Tickets
thing BE PRESENT. Leave your day behind, leave it at the door, behere, be now. Sanaa did that. She was present. Kirsten did it
http://www.15minutesoffem.com/creator.tpl

Extractions: and FEM Creator Steve Silverman) Who in their right mind wants to deal with putting up 32 different shows featuring 32 different performers over 4 weekends and then a "Best Of" Night for major industry casting executives critiquing everything you do? Meet Steve Silverman... Uh, OK, let's start with a simple question: WHY? STEVE: If I had a dime for every time someone asks me that question... It's a fair question. STEVE: It's a very fair question. Without holding up some E.R.A. sign, I think female performers are underused and underseen in Hollywood and in the arts in general. Yes, guys have it tough too - hell, everyone trying to show themselves and their art and their voice, they - WE - all have it tough. So how did this idea pop into your head? Did you have any doubts about FEM? STEVE: Creatively, no, never, thank God. The auditions proved that there is tons of talent out there, tons of uniqueness, and tons of stories to be told and ways to tell them. Production-wise, from the producer's standpoint, after doing 13 other shows before this, if you put money into a show, it's about bodies in seats. We figured if each performer brought 5 people to each show, that would be 20 people. I mean who's gonna come out to see a show at 11pm? I've done late-night shows before - they're tough. FEM broke all my rules. The smallest audience we've ever had is 31, the largest is 116! 116 people at 11 o'clock at night! Who invited you people
Over Canada: An Aerial Adventure | Behind The Scenes
behind the scenes of a Real Life Adventure. Over 3 years in the making,producing Over Canada An Aerial Adventure was an unprecedented
http://www.overcanada.com/oc-160-behind/

Extractions: Behind the Scenes of a Real Life Adventure Over 3 years in the making, producing Over Canada: An Aerial Adventure was an unprecedented adventure all on it's own. Over Canada's production team, including helicopters and ground crew literally flew over the entire country in all seasons and weather to produce this spectacular documentary. With the film production crew manning the Over Canada helicopter and ground grew in chase vehicles, the Over Canada production team traveled 100,000 kilometers visiting every province and territory. The Over Canada: An Aerial Adventure production involved a team of 120 people working 50,000 man-hours to produce.
The People Behind The Scenes
Among those who are most prominent behind the scenes are the producer, screenwriter,director, production manager, assistant director, director of photography
http://www.highlanderfilm.com/new1526.html

Extractions: The skills and talents of many different people are involved in filmmaking. The stars and other actors who appear on the screen are only part of the story; most of what goes into a production takes place off-camera. Depending on the size, or scale, of the production, and the financing available, thousands of people may have a part in producing a motion picture. The following descriptions of the duties performed by the people involved in producing a motion picture apply mainly to the feature film. Among those who are most prominent behind the scenes are the producer, screenwriter, director, production manager, assistant director, director of photography, casting director, film and sound editors, composer, and production and costume designers. The Producer The producer is responsible for turning a film idea into a finished motion picture by arranging for the financing of the project, gathering the talent to make the film, and, finally, making arrangements for distributing the finished product. When financing has been obtained from independent investors who form a limited partnership, the producer is often made the general, or managing, partner. A studio or distributor that has financed the motion picture may require a representative, called an executive producer, to be involved during production. A person contributing substantially in any manner to the motion picture may receive the credit of associate producer or some other similar title.

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